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Sunday, August 23, 1998
Denver, Colorado
Under a cloudless blue sky with snow-capped Rocky Mountains as a backdrop,
this Mile High city (it really is a mile-high, as most of us have had some
breathing difficulty) has turned out in full force today for the show. We
couldn't ask for a better day: sunshine, low, low humidity and a very cool
crowd vibe have set the stage for what I think will be a special day. Most
people will not realize they are getting such a special treat: six
performances on the mainstage today instead of five--Lisa Loeb, Cowboy Junkies, Joan Osborne, Paula
Cole, Natalie and Sarah.
Unfortunately, it's Natalie's last day, and all of us on the tour will miss
her and her band immensely. I feel a sense of anticipating when I walk
around backstage; sideways glances and quieted giggles from the backstage
crew tell me something's cookin', but I just don't know what it is.
I've been away for several weeks, as Yvonne and Cybergrrl Aliza Sherman
have come out for stretches at a time. I feel totally lucky to be back,
especially for the end of the tour and I can't wait to go and find all my
friends and busmates who I thought I had said my last good-byes to the
first time around.
3:45 pm
I caught the arm wresting match backstage--they actually sold tickets!
Collette beat Jamie of catering in the best two out of three, which is cool
because Jamie is a guy. But the real showdown was between Julia and Jen,
both from the stage crew. After three short matches as the "Rocky" theme
blared in the background, Julia was triumphant. They hoisted her onto the
arm wresting table and wrapped a shiny, gold victory belt around her waist
(much like a WWF match). Quite a treat--I see little has changed since
I've been gone.
4:00 pm
Because I got here a bit late (traffic was a nightmare) my trekking from
stage to stage has started with Nina Storey, the last performance on the
Village Stage. With her long jet black hair, streaked with varying colors
at the ends with tiny bangs just barely resting on her forehead, Nina sang
a set of country-inspired songs. At one point, she stopped a song half-way
through to put down her guitar. Her band was a bit confused and also
stopped playing, but she urged them on and told the crowd she wanted to
dance instead of play. Well, her energy was infectious because by the end
she had most of the crowd on their feet dancing with her.
4:30 pm
I ventured into the amphitheater, and not only does the show look
sold-out--it looks oversold. It's nearly full here in the grassy area and
the seats and there are many, many more out in the Village area still.
Replacing her signature cat-eye glasses with blue-tinted sunglasses, Lisa
Loeb is strumming her guitar to a song about love, to which she says,
"nobody ever cheers for love!" She has always given me hope that things in
your life don't have to happen in "order." She had a huge radio hit, a
video and numerous MTV appearances all before she had a record
deal--typically the gateway into such success.
7:15 pm
Ohmigod!!! What an amazing performer! I have always liked Paula Cole's
"Where Have All the Cowboys Gone?" but I've never seen her show until
today.
There are few people who aretheir music, who feel it in their every
pore and want you to feel it too and Paula falls into that group of
artists. With a Bob Marley painting resting on a chair to her left, it is
clear where Paula's expressive, unselfconscious dance and trance-like
states are inspired by--the master himself.
8:00 pm
Since it's Natalie's last night, her crew has decided to surprise her with
dressing up in circus outfits: ring master, clown, strong man, cheerleader,
gorilla. They set up her stage while in costume, to which the audience
went wild. Everything during her set went normal, until we got to the last
song, "Thank You."
In addition to the guest performers on the last song, her crew members
paraded out still dressed in their outfits, then slowly but surely, more
circus performers joined the stage--a guy on stilts dressed as a clown, a
belly dancer, more clowns, a joker--the whole stage resembled a Ringling
Brother and Barnum and Bailey Circus. They dropped balloons and confetti
as everybody danced and sang, "thank you thank you, thank you thank you."
I could see other crew members jamming up both sides of the backstage area
trying to see what was going on. This audience really can't appreciate how
cool this is--I'm sure they think this happens in every city!
9:00 pm
We just interviewed Natalie's band after the entire circus spectacle. All
of them are tired but are charged over the surprise--most of them didn't
have a clue what was going to happen. As we go around the room to ask each
of them their final thoughts about being at Lilith, the word most often
used to describe their experience here is "utopic." From the friendships
they've made to the music they have collaborated on to the performances to
such appreciative audiences, several of them describe it as the most
incredible thing they have ever been a part of. It is sad for them to
leave, as they have been on every show (51 of them) since the beginning of
this year's tour.
Midnight
I've finally been able to greet everybody and once that is over, it's life
as usual on the road--shower before the bus leaves, grab a beer and go hang
out with other folks in front of the buses. Tonight someone has located a
large candle and brought out their guitars, so we wound up having a
make-shift campfire before the buses roll out. We have a really long drive
ahead of us to Park City, Utah and I know our bus driver, Dave, is trying
to round everybody up so we can get a move on. I have definitely missed
this and everyone and it's good to be back, for sure.
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